Posts Tagged ‘photography’

Latest Makings

November 2, 2014

Here is my latest collection of collaged cards, petite postcards, wallets made from paycheck envelopes…

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Diorama Mapping: cities

March 13, 2011

 

New York City

New York City

 

A friend told me about this lovely mapping project by Sohei Nishino.

365 pictures, starting now

January 2, 2011

Yes, I’ve officially decided I’m going to challenge myself and post a picture a day and see how creative I can get. I figure it will be a worthwhile documentary process. It is an effort to get my work out, and to start a sort of visual photo journal.

I think I’ll aim to post particular favorites to this site, but for a better organized viewing I’ll post them on a site called 365:

http://365project.org/keihly/365

Please check them out!

“A Way of Looking at Things”

August 25, 2010

I recently, in one sitting, read the whole of Peter Zumthor’s book Thinking Architecture. I was reading in the quiet of the morning, in the living room, surrounded by bicycles and a soft, low light with the hum of the refrigerator a few rooms away to keep me company. Without music and only the steady hum of traffic outside the window, I was put into a contemplative state thinking about living and really experiencing good places, spaces.

From this reading, there forms within me the desire to capture the light and feeling of a place – and this house -which I’ve had mixed feelings and emotions within – there is some sense of it which just feels good. It’s that sense you cannot put a definition on.

Through his readings, Zumthor inspires me to BUILD things – to manifest them in this real world – off the paper, out of 2D, so that we may be able to explore a creation in all of its unspoken, subconscious forms.

Through his readings, too, I am filled with a driving sense to capture these living moments of the everyday – the lighting, the quiet, and how things are placed, just because its the course of life. (So, indeed, I got up and started capturing some of these moments with my new/old SLR.)

I also got this overwhelming desire to be in a quiet place, away from cars and people and noise to be surrounded by deep, quiet, forest, tall and confident, peaceful woods. There was a stirring in my heart, as if I needed to run there, but, sadly, I didnt know where to go! I need to find that place here in Charlotte. Nonetheless it was good to feel this pull.

Below I’ll interweave some of my favorite excerpts from the book.

My view of the room, the light, the quiet

“Since our feelings and understanding are rooted in the past, our sensuous connections with a building must respect the process of remembering.” (p18)

“In architecture there are two possibilities of spatial composition: the closed architecture body that isolates space within itself and the open body that embraces an area of space that is connected with the endless continuum.” (p22)

“I carefully observe the concrete appearance of the world, and in my buildings I try to enhance what seems to be valuable, to correct what is disturbing, and to create anew what we feel is missing.” (p24)

“A good building must be capable of absorbing the traces of human life and thus of taking on a specific richness.” (p24)

Through the french doors

“Why do we have so little confidence in the basic things architecture is made from? Material, structure, construction, bearing, being borne, earth and sky, and confidence in spaces that are really allowed to be spaces – spaces whose walls and constituent materials, concavity, emptiness, light, art, odor, receptivity, and resonance are handled with respect and care?” (p33)

When a building just seems to fit a site “it seems to be a part of the essence of its place, and at the same time it speaks of the world as a whole.” (p42)

I like the sequence of thresholds and the rhythm...

“The strength of a good design lies in ourselves and in our ability to perceive the world with both emotion and reason. A good architectural design is sensuous. A good architectural design is intelligent.” (p65)

“The intensity of a brief experience, the feeling of being utterly sustpended in time, beyond past and future – this belongs to many, perhaps even to all sensations of beauty. ..The flow of time has been halted, experience crystallized into an image whose beauty seems to indicate depth. While the feeling lasts, I have an inkling of the essence of things, of their most universal properties. I now suspect that these lie beyond any categories of thought.” (p72)

Morning breakfast with the book, I love the light.

“Beauty…is at its most intense when it is born of absence. I find something missing, a compelling expression, an empathy, which instantly affects me when I experience beauty…Longing. The experience of beauty makes me aware of absence. What I experience, what touches me, entails both joy and pain. Painful is the experience of absence and pure bliss the experience of a beautiful form that has been ignited by the feeling of absence.” (p80)

Postcards mark the entrance to my space, they add a vibrance.

“Architecture is the art of space and it is the art of time as well – between order and freedom, between follwoing a path and discovering a path of our own, wandering, strolling, being seduced.

I give thought to careful and conscious staging of tension between inside and outside, public and intimate, and to thresholds, transitions, and borders.” (p86)

**This is one of the things I like most about the house – the thresholds and rhythm of moving about the rooms. I dont know why, perhaps its the movement that I continually seek.

I like it's simplicity. It reminds me of a gallery space.

fathers, family, photo, fuzzy. focused.

July 17, 2010

A friend recently showed me this site. Very poetic and soft, the tone and the photographs matched perfectly.

Days with My father

Days with My Father

One of my favorite parts: “He also would have wanted people to remember his story is about the story of life. My father had no time for growing old. He was like a river. Always in motion, flowing forward with loose-limbed vigor. Sweeping past every obstacle with a smile, dancing and shimmering in the sun. Every door was there to be opened. Every window to be peered into.”

Seeing this story makes me think about how much I appreciate my family, and recalling moments when you suddenly dont have someone or something and regretting that you didnt take more time to just appreciate their presence. (Like the bit when he’s reflecting about his mother.)

It’s a story that seems to speak quietly, earnestly, and it feels powerful to me, pure. Perhaps I should think about my relationships, how I value them, how I show that I value them. And the simple act of recording, putting emotion into a piece exactly as its happening. This is the most fruitful way.

I think I’ll do some things differently now.

Summer Solstice in Maine

June 21, 2010

**Please see the comment section – a poem awaits you (complete with the audio from the author.)**

I knew I wouldn’t regret waking up at 5am on the Summer Solstice…and I’ve got some photos to prove it. (One thing the photos dont show are all the mosquitoes who also thought it would be a good time to get up and active..)

Due East

Due East. Morning look over the misty marsh

A nod to the light

Misty Morning Marsh

Sprinkled about

Structured web

morning look over the misty marsh
web

Pearly web

dew laden

Pearly reflections

Textured Haze

Most interesting map of DC

June 16, 2010

Ever really wanted to know what DC looks like? This map tells one story, and I love its graphic quality. Its also interesting being made up of a combination of tourist and local photographs.

From that site I found an interesting article about downtown Silver Spring (my home for 4 months) and its “no photographs allowed” policy.

DC map

a sewn assemblage, iowa postcard #1

January 1, 2010
Postcard

an assemblage of sorts